Gary Hill Movies
- 1966
Skaterdater
Skaterdater5.81966HD
The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...
- 1978
Mouthpiece
Mouthpiece01978HD
Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...
- 1984
Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
- 1981
Primarily Speaking
Primarily Speaking01981HD
This work is the single-channel version of a multi-channel installation of the same name. The picture plane is divided into a left and a right half....
- 1979
Equal Time
Equal Time01979HD
In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...
- 1981
Videograms
Videograms81981HD
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...
- 1977
Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
- 2000
Performative images. My skin its skin (per)forming another skin where I voice from
Performative images. My skin its skin (per)forming another skin where I voice from02000HD
DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.
- 1979
Picture Story
Picture Story01979HD
“A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...
- 1986
URA ARU
URA ARU01986HD
Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
- 2004
Gary Hill: I Believe It Is an Image
Gary Hill: I Believe It Is an Image02004HD
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...
- 1975
Earth Pulse
Earth Pulse01975HD
A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the...
- 1985
Tale Enclosure
Tale Enclosure81985HD
Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...
- 1978
Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...
- 1976
Mesh
Mesh01976HD
A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...
- 1976
Mirror Road
Mirror Road01976HD
In Mirror Road, Hill uses the camera and image processing devices to explore the malleability of electronic colors and image density. Amorphous...
- 2003
Blind Spot
Blind Spot02003HD
Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...
- 2008
Observaciones Sobre los Colores
Observaciones Sobre los Colores02008HD
Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...
- 2008
Figuring Grounds
Figuring Grounds02008HD
Figuring Grounds – like Tale Enclosure, 1985 – was edited from three hours of recordings made at the Stained Glass Studio in Barrytown,...
- 1983
Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...