Richard Serra Movies

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner,...

Home movies shot on Super 8mm by W+B Hein over 10 years.

Constantin Brancusi (1876-1957), the most important sculptor of the first half of the 20th century, has been a fascinating and enduring influence on...

Originally broadcast on public television in Amarillo, TX, Richard Serra’s BOOMERANG features Nancy Holt framed in a medium shot with a pair of...

A two-part tape of a video performance done on January 22, 1974, at 112 Greene Street (as part of the Video Performance Exhibition), structured on a...

Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work. A creator of enormous, immediately identifiable steel...

The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the...

In "Hands Scraping" we see two male pairs of hands, those of Serra and Phil Glass, sweeping up steel filings strewn on the wooden floor with their...

The Masters of Modern Sculpture series concludes with a look at post- World War II America, where sculpture became a deeply innovative art form....

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts...

Made in collaboration with Joan Jonas.

The film is an adaptation from two sources: Kinesics and Context by Ray L. Birdwhistell, and Choreomania, a performance by Joan Jonas

Echoing the vertical movement of the film through the projector, pieces of sheet lead fall into the image field. Serra’s hand opens and closes...

The protagonists’ astounding verbal gymnastics and often incomprehensible interactions tend to descend into nonsense, and with the syncopated...

“…Railroad Turnbridge is about the meeting of machine and machine [camera and bridge] and how they and their movements, sometimes...

Made in collaboration with Gerry Schum

In Frame (1969), Richard Serra emphasizes the disconnect bewteen the real space of the cinema and the illusory space of the screen. We first see...

Like the three "Hands" films by Richard Serra (1968), the subject of "Color Aid" are fingers as actors of real time activity. Monochrome colour cards...

Soundtrack by Philip Glass

A subject struggles to break free from a cord restraint