Saul Levine Movies

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made...

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

A conversation with Pelle Lowe

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

Wild flowers, morning glories, an urban jungle an eden for a petite Tyger.

As the crow flies, as the crow cries, as the crow alites CAWS

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

John Broderick recounts a bad LSD trip

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a...

RAPS AND CHANTS is also without the typical cataract of cuts. The first part is a man's monologue about a grueling LSD adventure (even the image is a...

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

Free for benefits and free showings. "we turning in side take it without them it closes Castles color You must pass through it before it closes open...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...