Günter Brus Movies

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of...

"The Manopsychotic Ballet" was the last important action by Otto Muehl before he retired from the art world after a decade of painting and...

"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned...

This three-minute film was far more akin to the American-style "happening" in that the content was not particularly extreme. It was built up from...

A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence...

A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in...

Four young men affected by psychological motorcar reactions and effluents that get more excited, crazy and freaked out as times passes.

A subversive and experimental film from Otmar Bauer and Günter Brus.

About a group of graduates from Cambridge University who go back to their college to visit a friend who has stayed on there. Otto Muehl founded a...

A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking...

An experimental, bizarre and a very different shooting of an association between the sexes.

Four men, one woman and a cat in a room. The men drink and discuss. Things get a bit violent. The masochist acts out his desires by himself. Random...

In “Körperanalyse” (Body Analysis) in 1968, the artist (Günter Brus) urinated in front of an audience, cut his skin with a...

‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial. I only...

He ended the period of creating works exclusively using the body as a medium with the “Zerreissprobe” (Breaking Test) in 1970. His 43rd...

A short documentary on Arnulf Rainer, famous for overpainting portraiture presenting the "face farce" concept.